Woodcuts and engraving were printed routinely in Europe from the 13th century,
although the earliest printed woodcuts are from China around 868.
In China, there were no texts similar to the Bible which could guarantee
a printer return on the high capital investment of a printing press, and
so the primary form of printing was wood block printing which was more suited
for short runs of texts for which the return was uncertain.
In the Mid-15th Century, things begin to change with the advent of the printing
press. In 1452, Johannes Gutenberg conceives of the idea for movable type.
In his workshop, he brings together the technologies of paper, oil-based
ink and the wine-press to print books. The printing press is not a single
invention. It is the aggregation in one place, of technologies known for
centuries before Gutenberg.
In 1457 Fust and Schoffer published a large Psalter, known as the Mainz Psalter,
which featured printed red and blue intitials along with the black text.
There is some debate about how these coloured letters were printed. They
were either printed from two part metal blocks that were inked separately,
re-assembled and then printed with the text, or they were stamped on after
the main text was printed. Either way the process was time consuming and
expensive so for several years it was more common for such decorative elements
to be added by hand. The Mainz Psalter was also the first book to bear a
printer's trademark and imprint, a printed date of publication and a colophon.
The first person to print illustrated books was Albrecht Pfister. Around
1460 he published a book titled Der Ackermann von Bohmen (The Farmer from
Bohmen). The only surviving copy of the first edition contains no illustrations
but space has been left for them. A second edition printed in 1463 does include
images. In 1461 Pfister printed an edition of Der Edelstein (a series of
fables in German) which contained 101 woodcut illustrations. The woodcuts
were in simple outline and were probably intended to be hand colored. (Most
surviving copies have in fact been colored.)
The 18th Century letterpress was nearly the same as its predecessors two
hundred years beforehand. Gutenberg would have been at home in Ben Franklin's
print shop.
A number of dramatic technological innovations have since added a great deal
of character and dimension to the place of print in culture. Linotype, a
method of creating movable type by machine instead of by hand, was introduced
in 1884 and marked a significant leap in production speed.
Twenty years after Ben Franklin's death, presses were driven by steam. By
the 1850s, printing establishments were no longer "shops" but insteand had
become industrial scale productions.
Offset printing was introduced in the era after World War II and replaced
web lettepress printing in the US by the 1990s. Here we see a four unit web
offset press (red ink not being used). Offset printing works like lithography,
on the principle that grease and water don't mix.
Offset printing plate is placed into the press. Because the plates were much
lighter than stereotype plates, offset presses could be calibrated for very
fine color control.
The process of setting type continued to go through radical transformations
with the development of photo-mechanical composition, cathode ray tubes and
laser technologies. The Xerox machine made a means of disseminating print
documents available to everyone. Word processing transformed editing and
contributed dramatic new flexibility to the writing process. Computer printing
has already moved through several stages of innovation, from the first
daisy-wheel and dot matrix "impact" printers to common use of the non-impact
printers: ink-jet, laser and thermal-transfer.
Both the Internet and interactive multimedia are providing ways of employing
the printed word that add new possibilities to print's role in culture.
At DSI Forms we employ seven web presses
which allow us to print at widths up to 20". Plates today go directly from
our computers to press via a digital plate making process that provides for
very high quality color printing. These highly automated machines can
take a roll of paper at one end and output printed, perforated, folded,
individually numbered and stacked forms by the millions!
For those slightly smaller jobs we can use our short-run facilities.
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